![]() ![]() Day begs Bo to kill her, but Bo instead hands her a gun before taking pictures of Day as she kills herself. They are followed by the transformed Day to a diner, where the werewolf kills everyone but Bo before turning back into a human. Yes, a werewolf! Bo and Hector escape before the creature rips their former colleagues to shreds. Bo locates Day and follows her to a secure compound in the mountains where she, Hector and a couple other photographers with sketchier morals break into Day’s room to find her in chains.Īt this point, the episode transcends “Black Mirror’s” tech-based genre and becomes a supernatural horror story.Īs the photographers take photos of the actress and Bo tries breaking her free from the restraints, Day slowly transforms into a werewolf. With her bills quickly adding up, she ventures back into L.A.’s seedy paparazzi underbelly for one last score when her photog friend Hector tells her about an open offer of $30,000 in exchange for the first photos of actress Mazey Day following a mysterious hit-and-run. Feeling remorse over the incident, Bo hangs up her camera and takes a job as a barista. From the multiverse-esque romp “Joan Is Awful” - which features perfectly meta performances from Annie Murphy and Salma Hayek - to the sci-fi body swap horror “Beyond the Sea,” the new run of episodes succeeds by putting human drama ahead of high-tech horrors.īut perhaps the best time you’ll have this season is with the penultimate episode, “Mazey Day.” The hook is simple: How far will a paparazzo go to get photos of a big celebrity in recovery? Zazie Beetz plays Bo, a compassionate celebrity photographer who leaves behind the scuzzy practice after snapping photos of an actor having an affair, which leads to his suicide. In what might be described as a surprising evolution for Netflix’s bleakest and most dour series yet, the delightfully strong sixth season of “Black Mirror” takes a less heavy-handed approach to its tech-obsessed nightmares. Warning: Spoilers ahead for the “Mazey Day” episode of “Black Mirror” Season 6. ![]() Writer-director Anders Thomas Jensen won the Oscar for his short “Election Night,” and wrote the Oscar-nominated “After the Wedding” and winners “The New Tenants” and “In a Better World.” - Michael Ordoña Catch upĮverything you need to know about the film or TV series everyone’s talking about Mikkelsen is dependably excellent Danish star Nikolaj Lie Kaas, looking like Jason Bateman after 18 miles of bad road, is sympathetic and complex. Carefully considered character exploration - and hilarity - ensue. They run afoul of a murderous biker gang, The Riders of Justice. As he tries to salvage his relationship with his teen daughter, some complicated nerds help him investigate. Soldier Mikkelsen returns home when his wife dies in an apparent accident. What does it imply? Civil Rights-era biopic? Hard-boiled revenge thriller? Well, it’s a drama about damaged people with abundant humor and spates of expertly staged violence. The makers of this 2020 Danish Mads Mikkelsen starrer might appreciate the insufficiency of Hulu classifying it under “comedy, action”: “Riders of Justice” delights in swerving around expectations, starting with that title. If the streamer is in need of spinoff ideas, it could do worse than starting with those two. With the charming Poorna Jagannathan as our heroine’s protective mother, Nalini, and the highly entertaining Ranjita Chakravarty as her grandmother, Nirmala. Even if you’re left unsatisfied by the conclusion of the Team Ben (Jaren Lewison) / Team Paxton (Darren Barnet) “dichotomy,” or Devi’s college search, the series delivers a poignant, never-less-than-necessary reminder that failed AP classes, botched auditions, and embarrassing dates will (mostly) be forgotten, while the friendships we forge stay with us, and sustain us, long after the final bell rings. Senior year doesn’t disappoint, with humorous riffs on losing one’s virginity, prom and, most perceptively, the torturous modern college application process, which leaves Devi and her friends Eleanor (Ramona Young) and Fabiola (Lee Rodriguez) higher-strung than Lindsay Weir. For all the milestones “Never Have I Ever” marked in its four-year run on Netflix - depicting Hindu traditions, fighting “model minority” stereotypes and representing immigrant kids of all stripes - Mindy Kaling and Lang Fisher’s comedy about Sherman Oaks overachiever Devi Vishwakumar ( Maitreyi Ramakrishnan) and the band of freaks, geeks, stoners and jocks in her orbit has always succeeded on the strength of its high school hijinks, deployed with a tongue-in-cheek, San Fernando Valley-shaped twist (and John McEnroe’s voiceover narration). ![]()
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